Monet, Renoir, and the “risky” paintings that reshaped Chicago’s art scene

Bertha Palmer’s Impressionist Revolution After Chicago’s Great Fire

Chicago’s art scene rose from ashes in 1871 when fire wiped out the Academy of Design, a hub for 35 local artists. Yet from this ruin came hope.

By 1879, members built the Chicago Academy of Fine Arts, soon renamed the Art Institute. The museum found its home in 1893, marked by the bronze lions that still guard its doors today.

Meanwhile, socialite Bertha Palmer shook up American tastes by buying “radical” French paintings – 29 Monets and 11 Renoirs among them.

After her death in 1918, her collection worth $500,000 became the heart of what you can see at the Art Institute’s world-famous Impressionist galleries.

35 Artists Joined Forces Before The Great Fire

Back in 1866, a group of 35 local artists teamed up to form the Chicago Academy of Design.

These artists pooled their money to share exhibition space and studio costs in a five-story stone building near Michigan Avenue.

They worked together because art supplies and workspace cost too much for most to afford alone.

The Academy quickly became the center of Chicago’s growing art scene, offering classes and hosting shows that drew crowds from across the city.

Flames Destroyed More Than Just Buildings

The Great Chicago Fire of 1871 ripped through the city and left the Academy in ruins. The fire burned their five-story building along with almost all the artwork inside.

The money troubles hit hard as the Academy fell deep into debt with no home and no art to show. Members tried to keep going by renting temporary spaces around town, but money problems kept growing.

The fire wiped out physical buildings and burned away Chicago’s cultural momentum just as the city was finding its artistic voice.

Chicago’s Art Lovers Refused To Give Up

After years of struggle, art fans started fresh in 1879 with the Chicago Academy of Fine Arts. This new group attracted rich Chicago businessmen who put up money to fund the arts.

By 1882, they changed the name to the Art Institute of Chicago to match their bigger goals. The new institute taught art students while also letting regular folks see great artwork.

Classes grew popular as Chicagoans showed their hunger for culture after the fire.

The World’s Fair Gave Art A Permanent Home

The 1893 World’s Columbian Exposition created the perfect chance to build a real art museum. The Art Institute took the opportunity to build a grand building at Michigan Avenue and Adams Street.

Boston architects Shepley, Rutan and Coolidge designed the impressive building with classical columns and grand staircases. Workers hurried to finish the building in time for the fair’s opening.

On May 1, 1893, the doors opened to visitors from around the world.

Those Famous Lions Started As Afterthoughts

The bronze lions that guard the Art Institute came a year after the building opened. Sculptor Edward Kemeys made the pair of African lions to stand at the Michigan Avenue entrance in 1894.

The north lion looks watchful while the south lion seems ready to attack. These big bronze beasts quickly became loved Chicago landmarks.

Locals started dressing up the lions for special events, putting Chicago Bears helmets on them during football playoffs and holiday wreaths in December.

A Wealthy Woman With An Eye For Art

Bertha Honoré married real estate mogul Potter Palmer in 1871, the same year as the Great Fire. Twenty-one years younger than her husband, Bertha quickly made her mark on Chicago society.

She grew up learning about art and music. The Palmers built a huge castle-like mansion on Lake Shore Drive filled with artwork.

Bertha’s social connections put her in charge of the Board of Lady Managers for the 1893 World’s Fair, where she showed off women’s achievements.

Paris Changed How She Saw Paintings

Bertha Palmer met art dealer Paul Durand-Ruel during a Paris trip in 1889. At first, she didn’t like the strange, splotchy Impressionist paintings he showed her.

The loose brushwork and bright colors looked nothing like the formal, detailed art most Americans liked. But something about these new canvases stuck with her.

She kept looking until she fell in love with their light and color. Durand-Ruel told her these artists would someday be seen as masters.

She Bought Art That Critics Hated

The Palmer collection grew fast as Bertha bought paintings others ignored. She picked up 29 works by Claude Monet, including his famous haystacks and water lilies.

Her 11 Renoir paintings showed sunny outdoor scenes and rosy-cheeked portraits. She added pieces by Degas, Pissarro, and other French artists working in the new style.

The Palmer home turned into an unofficial gallery of modern art. Guests often stood confused before these odd paintings with their visible brushstrokes.

Most Americans Thought Impressionism Was Trash

American art critics called Impressionist paintings “unfinished,” “sloppy,” and “an insult to proper taste. ” Newspaper reviews warned readers about this dangerous foreign trend threatening proper art standards.

But Bertha Palmer used her social standing to make these works acceptable. She hosted viewings in her mansion where Chicago’s elite saw Impressionist masterpieces up close.

Other wealthy collectors started following her lead, buying similar works for their own homes.

Her Death Led To A Museum Windfall

When Bertha Palmer died at her Florida estate in 1918, her will included a surprise gift. She left artworks worth $500,000 to the Art Institute of Chicago.

Her sons honored her wishes by giving more paintings from her collection.

In 1922, the Palmer collection officially became part of the Art Institute, forming the core of their Impressionist holdings. The gift turned a regional museum into a world-class institution overnight.

Paintings that Bertha bought for thousands now hang in galleries as priceless treasures.

Chicago Still Lives With Bertha’s Legacy

The Palmer collection made such a mark that it changed how Chicagoans think about art.

Years later, when asked about the museum’s Renoir collection, the Art Institute’s president joked, “In Chicago we don’t buy Renoirs. We inherit them from our grandmothers.”

The museum now holds one of the largest Impressionist collections outside Paris. Tourists from around the world visit Chicago specifically to see these paintings.

Modern art historians credit Palmer with helping shift American taste toward modern art decades before most museums caught on. Her forward-thinking eye spotted genius where others saw only confusion.

Visiting Chicago Art Institute, Illinois

The Art Institute at 111 South Michigan Avenue houses Bertha Palmer’s groundbreaking Impressionist collection that changed how Americans viewed art after the 1871 Great Fire rebuilt Chicago’s cultural scene.

General admission costs $32 for adults, but Chicago residents get $12 off. You’re open Monday, Wednesday, Friday 11am-5pm and Thursday until 8pm (closed Tuesday).

Book tickets online to skip lines and catch daily guided tours at 1pm and 3pm.

This article was created with AI assistance and human editing.

Read more from this brand:

• The Supreme Court case that sealed the fate of Chicago’s Hull-House
• The orphan who built Chicago’s most famous hotels
• The Illinois asylum where husbands could imprison wives for having opinions